Fig 1.10 Improvement of "CARO" digitized letter A, Week 4 (5.19.2024)
Through these careful adjustments, I successfully enhanced the artistry and visual consistency of the font, ensuring that each letter fit together appropriately within the overall design.
Fig 1.11 Two forms of "CARO", Week 4 (5.19.2024)
After some reflection, I realized that CARO doesn't offer much room for innovative variations. I have decided to use my own English name, Athena, for further text development.
After looking at many brand logos, I started redesigning my drafts, experimenting with uppercase and lowercase versions, and exploring more diverse styles and forms. The following is a detailed description:
Uppercase variations:
I used rounded, soft fonts to make the letters appear more welcoming and approachable. This makes the letters look more friendly and approachable.
Fig 1.12 Two forms of "ATHENA", Week 5 (5.25.2024)
After outlining the letter Athena, I found that the T was a little too thick, so I refined some of the outlines and adjusted the spacing between the letters. The following are the specific adjustment steps:
Refine the outline of the letter T:
Adjust the thickness of the letter T to make it more consistent with the lines of the other letters. This can be achieved by reducing the stroke thickness of the T.
Adjust letter spacing:
Re-evaluate and adjust the spacing between individual letters to ensure they are more compact and even. This helps improve overall visual balance and readability.
Pay special attention to the spacing between A and T, H and E, and N and A, making sure the spaces between each letter are consistent to create a harmonious whole.
Fig 1.13 Two forms of "CARO", Week 5 (5.25.2024)
Mixed case variations:
A unique combination of uppercase and lowercase letters to create a dynamic and creative monogram. This curved form makes the letters more dynamic.
Ensure a balance between uppercase and lowercase letters to maintain readability and aesthetics, making the overall design and unity easy to recognize and remember.
Fig 1.14 Attempt 1 and 2, Week 5 (5.25.2024)
The final adjusted forms of the two letters:
Fig 1.15 Complete key artwork, Week 5 (5.25.2024)
Color palette design:
When designing the color palette, I decided to choose green as the main color because it evokes a sense of calm and fits in with the concept of quietness. To create contrast in the color scheme, I introduced a secondary color and experimented with tonal variations of off-white. Here are the specific steps and adjustments:
Choose your main color:
Green: Green is chosen as the main color because it can convey a sense of tranquility and peace and is consistent with the brand image of wisdom and growth.
Introduce secondary colors:
Off-white: Use off-white as a secondary color, and try different off-white tones to complement the main color in the initial design.
Evaluate color effects:
After initial attempts, I noticed that the combination of green and off-white seemed a bit dull and did not successfully convey the desired feeling.
Increase color saturation:
Enhanced Green: By adding a bit more saturation to green, making it more vivid and vivid, conveying more vibrancy and vitality.
Adjust the off-white: Make slight adjustments to the off-white, adding a bit of saturation or introducing a hint of warmth so that it doesn't look dull when paired with green.
Final color scheme:
Main color: green with higher saturation
This green color conveys a sense of calm, nature and comfort.
Secondary Color: Bright off-white or slightly warm gray
This color contrasts with the green without appearing too dull, ensuring that the overall design is fresh and bright.
Secondary colors:
Dark green: used for accents and embellishments, adding depth and depth.
Light green: used for background or auxiliary elements to add softness to the design.
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